The most significant change in the art world over the past two decades has not been in the evolution of a new style or movement but in the ways in which art is promoted and marketed. In his latest work, acclaimed critic, curator, and historian Robert C. Morgan examines the separation of the art world from the realities within the community of artists. He argues that the boundary between contemporary art and current trends of fashion, media, and popular entertainment is growing increasingly thin, and calls for a return to aesthetics and to an inner- directedness in art of all mediums. A frank and authoritative collection of art criticism from one of the leading minds in the field, The End of the Art World takes a position outside of established critical views, balancing aesthetic issues with a provocative critique of the socio-economics of recent art. It presents a stimulating combination of intelligent analysis, emotional response, and outspoken commentary for anyone interested in current critical discourse in art and culture.