Image de couverture de Shapes of Forms From Gestalt Psychology and Phenomenology to Ontology and Mathematics
Shapes of Forms From Gestalt Psychology and Phenomenology to Ontology and Mathematics
Titre:
Shapes of Forms From Gestalt Psychology and Phenomenology to Ontology and Mathematics
ISBN (Numéro international normalisé des livres):
9789401729901
Edition:
1st ed. 1999.
PRODUCTION_INFO:
Dordrecht : Springer Netherlands : Imprint: Springer, 1999.
Description physique:
VI, 378 p. online resource.
Collections:
Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science, 275
Table des matières:
1. Form Aesthetics: Introduction -- 2. Experimental Phenomenology: A Historical Profile -- 3. What is Form? The Contributions of Psychology to an Old Epistemological Problem -- 4. Forms and Events -- 5. Towards a Theory of Figural Form -- 6. On Prägnanz -- 7. Formal Characteristics in Verbal Description and Spatial Representation -- 8. Forms in Algebras and their Interpretations: Some Historical and Philosophical Features -- 9. An Essay on the Notion of Schema -- 10. Qua-Theories -- 11. Form Metaphysics -- 12. Ontological Categories -- 13. On Forms of Objects -- Index of Names.
Extrait:
impossible triangle, after apprehension of the perceptively given mode of being of that 'object', the visual system assumes that all three sides touch on all three sides, whereas this happens on only one side. In fact, the sides touch only optically, because they are separate in depth. In Meinong's words, Penrose's triangle has been inserted in an 'objective', or in what we would today call a "cognitive schema". Re-examination of the Graz school's theory, as said, sheds light on several problems concerning the theory of perception, and, as Luccio points out in his contribution to this book, it helps to eliminate a number of over-simplistic commonplaces, such as the identification of the cognitivist notion of 'top down' with Wertheimer's 'von oben unten', and of 'bottom up' with his 'von unten nach oben'. In fact, neither Hochberg's and Gregory's 'concept-driven' perception nor Gibson's 'data-driven' perception coincide with the original conception of the Gestalt.
Auteur ajouté:
Auteur collectif ajouté:
Langue:
Anglais