Architecture as Identity, I: The Essence of Architecture -- Theory and Practice at the Crossroads--A Peircean Perspective on Political Signs -- System and Observer in Semiotic Modeling: An Essay on Semiotic Realism -- Architectural Criticism as a Means to Identify Socially Shared Values: The Case of the East Building of the National Gallery -- Buildings as Symbols of Political Ideology -- Peirce's Anticipation of Game Theoretic Logic and Semantics -- Mind, Object, Object, Artifact II -- The Reference Relation in Music -- SI MUOVE, MA NON TROPO: An Inquiry into the Non-metaphorical Status of Idioms and Phrases -- Symbolic Use of Weaving Designs: A Case Study -- Antecedents to Peirce's Notion of Iconic Signs -- On Discovering the Semiotic Organization of the Lexicon: State of Health as a Multifaceted Domain -- Notes on Text and Performance in the Theatre of Dario Fo -- The Structure of Metaphor -- Forgotten Pioneers of Soviet Semiotics -- On Discovering the Semiotic Organization of Experience: The Public Meanings and Private Meanings of Objects -- One Artist's Neurosis on Signing -- Explaining Style Growth and Change: A Richer Semiotic Model -- The Rock and Roll Concert: A Semiotic Analysis -- Disemia -- Naturalness Vs. Arbitrariness in the Domain of Color -- Modes of Medical Instruction: A Semiotic Comparison of Textbooks of Medicine and Popular Home Medical Books -- Peirce's Existential Graphs as the Basis for An Introduction to Logic: Semiosis in the Logic Classroom -- Peirce as Catalyst in Modern Legal Science: Consequences -- A Semiotic Account of Polysemy and Homonymy -- The Semiosis of the Sequence of Signs in a Narrative -- The Impact of Speech-Act Theory and Phenomenology on Proust and Claude Simon -- Semiotic Perspectives on Chinese: A Picturesque Language -- Peirce and Jakobson: Towards a Structuralist Reconstruction of Peirce -- Architecture as Representation of Nature -- The Measurement of Comentropy Transfer Rates -- Towards a Transcultural Semiotic -- The Self-Disclosure Technique for Ethno-Graphic Elicitation -- Conventions of Poetry as Iconic Signs -- Comparative Adjestives in Terms of Peirce's Phenomenological Categories -- Interpretant and Interpretation -- Tipping Behavior as a Semiotic Process -- The Mark VI: A New Eidometer Design Concept -- The Role of Scientific Paradigms in Empirical semiotics -- Interactive Nonverbal Categories: A Reappraisal and Elaboration -- Reckoning with the World -- On the Paradigm of Experience Appropriate for Semiotics -- Semiotic and Creativity -- The Appearance of Appearance: Architecture, Communication and Value Systems -- What is Evidence Evidence of? -- The Ironic Sign -- Art and Objectivity -- More Than Words Can Say -- A Reconstruction Paradigm for the Experimental Analysis of Semiotic Factors in Cognitive Processing -- Peirce and Greimas from the Viewpoint of Musical Semiotics: An Outline for Comparative Semiotics -- The Application of the Peircean Semiotic to Logic -- Symbolic Configurations and Two-Dimensional Mathematical Notation -- The Perception of Nonverbal Behavior in Function of Visible Access to One or Both Interactants -- Charles Morris and Christian Norberg-Schulz: The Social Basis of Meaning in Architecture -- Toward a Semiotic Beyond Feminism -- The Structure of Categories and the Consequences for Metaphor -- The Poetic Function of the Stage Audience and Embedded Performance in Drama -- Designing Signs that Build the Required Semantics into the Needed Syntax -- A Semiotic Approach to Information Value.