Towards the Understanding of Sense of Sounds -- Fifty Years of Computer Music: Ideas of the Past Speak to the Future -- Music Cognition: Learning, Perception, Expectations -- Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models -- Musicians Outperform Nonmusicians in Speech Imitation -- Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers -- The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study -- Understanding Emotion in Raag: An Empirical Study of Listener Responses -- The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata -- Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features -- Exploring Perceptual Based Timbre Feature for Singer Identification -- Cognitive Implications of Musical Perception -- A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL -- Real-Time Analysis of Sensory Dissonance -- Multimodal Design for Enactive Toys -- Psychoacoustic Manipulation of the Sound-Induced Illusory Flash -- On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement -- Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance -- Towards the Generation of Sense of Sounds -- Retrieving and Recreating Musical Form -- Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses -- Rule-Based Expressive Modifications of Tempo in Polyphonic Audio Recordings -- Exploring the Perceptual Relevance of Inherent Variability of Drum Sounds -- Improving Musical Expressiveness by Time-Varying Brightness Shaping -- NN Music: Improvising with a 'Living' Computer -- A Real-Time Genetic Algorithm in Human-Robot Musical Improvisation -- A Musical Framework with Swarming Robots -- Emergent Rhythms through Multi-agency in Max/MSP -- Experiencing Audio and Music in a Fully Immersive Environment -- A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments -- The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives -- BioTools: A Biosignal Toolbox for Composers and Performers -- Focus-Plus-Context Audio Interaction Design -- Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance -- DECONcert: Making Waves with Water, EEG, and Music.