Foreword -- Preface -- Acknowledgements -- Author Biographies -- Part 1: History -- Between Worshipers, Priests and the Nuke: an Introduction to the Cultural and Social History of Early Computer Art -- A Million Millennial Medicis -- Structure in Art Practice -- From Zombies to Cyborg Bodies -- From Zombies to Cyborg Bodies -- Algorithmic Fine Art -- The Computer: an Intrusive Influence -- Digital Art in Brazil -- Part 2: Environments -- New Directions for Art and Technology -- An Observer's Reflections: The Artist Considered as Expert -- Realizing Digital Artworks -- Being Supportive -- Working with Artists -- Demaking the High Heeled Shoe -- The Artist as Digital Explorer -- Part 3: Research -- Creating Graspable Water in 3D Space -- Contemporary Totemism -- Integrating Computers as Explorers in Art Practice -- Hybrid to Simulated Invention -- Playing with Rhythm and Technology -- Differentiating Interaction -- Acknowledging Perimeters for Technology and Art -- localStyle>forward -- Chance, Poetry and Computational Art: The Visual Theogonies -- Self-Portraying an Absence -- Part 4: Collaboration -- Making Light Sculptures in Suspended Space: A Creative Collaboration -- Drawing Spaces -- Collaborative Practice in Systems Art -- Creativity, Technology and Collaboration:Towards Hoped-for and Unexpected Serendipities -- Collaborative Creation in Interactive Theatre -- Collaboration, the Color Organ and Gridjam -- Creating Interactive Art: Conceptual and Technological Considerations -- Post Fail: IOCOSE Collaborative Failures -- Speculative Apparatuses: Notes on an Artistic Project -- Index .