chapter INTRODUCTION -- part PART I THE SOCIOLOGY OF NATIONALISM -- chapter 1 THE SOCIOLOGICAL SCOPE OF 'NATIONAL CINEMA' -- chapter 2 FRANK CAPRA MEETS JOHN DOE: aNTI-POLITICS IN AMEREICAN NATIONAL IDENTITY -- chapter 3 IMAGES OF THE NATION CINEMA, ART AND NATIONAL IDENTITY -- part PART II THE CONCEPT OF NATIONAL CINEMA -- chapter 4 THE LIMITING IMAGINATION OF NATIONAL CINEMA -- chapter 5 NATIONAL CINEMA: A THEORETICAL ASSESSEMENT -- chapter 6 FRAMING NATIONAL CINEMAS -- chapter 7 THEMES OF NATION -- part PART III FILM POLICY, NATIONALISM AND THE STATE -- chapter 8 CINEMATIC NATION-BUILDING / chapter 9 THE NATION VANISHES: EUROPEAN CO-PRODUCTION NAD POPULAR GENRE FORMULA IN THE 1950 AND 1960 -- chapter 10 THE NEW SCOTTISH CINEMA -- part PART IV THE PRODUCTION OF NATIONAL IMAGES -- chapter 11 INDONESIA THE MOVIE -- chapter 12 NOTES ON POLISH CINEMA, NATIONALISM AND WAJDA'S HOLY WEEK / chapter 13 DEEP NATION THE NATIONAL QUESTION AND TURKISH CINEMA CULTURE -- chapter 14 FRAGMENTING THE NATION -- part PART V THE RECEPTION OF NATIONAL IMAGES -- chapter 15 MIMETIC NATIONHOOD -- chapter 16 FROM NEW GERMAN CINEMA TO THE -- chapter 17 CONTEMPORARY CINEMA -- chapter 18 BIRTHING NATIONS.