Cover; Contents; List of Figures; Acknowledgements; Introduction: Musical Encounters with Deleuze and Guattari; PART ONE Elaborations; 1 Unfolding Non-Audist Methodologies in Music Research: Signing Hip Hop Artist Signmark and Becoming Deaf with Music; 2 A Micropolitics of Becoming-Woman and Moya Henderson's Rinse Cycle; 3 Mattering Black Life: Time, The Rhizome and a Gullah-Geechee Politics of Rhythm; PART Two Events; 4 Singing Non-Human-Centric Relational Futures -- The Algae Opera as an Assemblage; 5 Queer Transversal: The Spectacle Adam Lambert.

6 'A People to Come' in Himalayan Village Music -- A Deleuzian-Guattarian Study of Musical PerformancePART Three Experiments; 7 Experimental Music and the Question of What a Body Can Do; 8 Learning to Listen -- Inorganization of the Ear; 9 Listening Assemblages: Re-sounding Place and Mapping the Affects of Sound; 10 Forming Common Notions in a Kinetic Research Collaboration; Contributors; Index.